
The post itself was from a comedian working in South Texas who I don't really know (a good fifth of my friends list are comedians I don't really know) who posted something along the lines of “I'm headlining a show and if you don't like it, you can kiss my ass.” The responses / comments ran the gamut from “good for you” to a ridiculous tirade telling this particular comedian that he has no right to headline a show and that he's weakening his local comedy scene by doing so because he's never really worked a real comedy club.
Comedians bitching at one another because their egos are so fragile? Sigh.

My thought has always been to arrange the comics in a line-up that benefited the show. That line-up may or may not be based on experience. For example, having a high energy feature with a low-key headliner may not always work out. When booking shows, I always try to find a line-up that benefits the show itself, not the individual egos of those involved. The question for me is: can they fill their time and fill it well? And yes, I will admit, I've made some mistakes booking folks who couldn't fill their time and (worst of all) couldn't fill it well.
Back to my facebook friend: his biggest detractor was a fellow comedian who appears to have more experience but, from a quick Google search, not all that much really. This detractor appears to have carved himself a little niche as a house comic in a couple of established clubs and … well, that's all. But, since he's worked in clubs whereas this other fellow appears to have worked mostly in alternative venues (bars and clubs, for example), he obviously feels superior and entitled to tell somebody how to conduct his business. I don't know this guy either … he may be an awesome fellow … but he comes across as a self-righteous dick hole. Who the hell is he to tell a fellow comic what he's capable of?
To top it all off … the show is for NO MONEY (a mistake, my friends) and is being produced by the would-be headliner. So really … who gives a f*ck?
My advice to the first-time headliner: if it is what is best for the show (and you honestly believe that) the DO IT! Screw the detractors. However, if the show would benefit from a different line-up (perhaps you have forty-five minutes, but some of it is not all that strong), then investigate that route. Do what is best for the show on that particular night. Period. End of story. It really isn't any more complicated than that.
My advice to the adamant detractor: shut the hell up! Do your talking on stage, because otherwise you come across as a massive prick. You may be right … this guy may not be able to carry the “headliner” load … so how does that affect you? You're not even on the bill. You don't like this guy? Then don't work with him. Or better yet … why don't you feature for him and blow him out of the water?

I don't think of myself in terms of headliner or feature … I think of myself as a comic. That's it. And frankly, I'm barely that … only in the past year has comedy become my primary source of income, only recently has it become my job. Sure … I get aggravated as hell when I hear some kid from an open-mic who has never taken home a paycheck call himself a “comedian,” but I typically keep my freakin' mouth shut. It's a “title” I've worked hard to earn … not everybody deserves it … but even then, the mouth (at least publicly) stays freakin' shut!
I'm a comedian. You guys are comedians. How about we just leave it at that?